Occasional Art

Occasional Art 8,5/10 7061 votes
Occasional

Works which have used it as a tag:

Stacking, a new downloadable game by doublefine, was recently announced-you star as charlie blackmore, a russian matroyshka doll, able to stack into other dolls that populate his fictional 1930's era world in order to solve challenges and progress through the game-stacking is the brainchild of lee petty, my old art director at crystal. Art Deco Figured Elm Occasional Table. Standing on a Block Ebonised Base and a Square Column. The Top being of a Segmented Form with Ebonised Edging. A very Stylish Piece of Furniture. Size: Height 24' (61cm) Width 22' (56cm) Depth 22' (56cm).

  • ACT 6 ACT 3: Canceling the Download by calumTraveler

    Fandoms:Stargate SG-1, Stargate Atlantis, Stargate - All Media Types, Homestuck, Hiveswap, Power Rangers RPM, Sword Art Online, Myst Series

    27 Sep 2019

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    And so the Machine did observe the people before him, and he scoffed, thinking that they could ever possibly defeat him and his armies. 'The idiots. The fools. Bugs to be swatted and Squashed.'

    And thus did the Machine declare them obsolete, and deserving of death. And he raised his arm and thus did he spread his influence towards them- a sickening gleaming red light falling down from the heavens upon which he sat.

    Doom and Death, he decreed.

    Doom and Death, for his Kingdom would be of Machines ruling a dead land and a dead land only.

    Series
    • Part 10 of Stargate: Alternia
    • Part 16 of The Carnation's Rein
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    249,296
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    75/75
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  • Big Girls Don’t Cry by HoneyPopped_mp

    Fandoms:A Hat in Time (Video Game)

    30 Jan 2021

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    What would happen if your entire childhood was different? If you were raised by a different person, in a different place? Would you be the same person you are now... or someone else entirely?

    An AHiT AU based on the concept of Hat Kid being raised by Queen Vanessa.

    Language:
    English
    Words:
    64,867
    Chapters:
    22/?
    Comments:
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    378
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    37
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    6342

For more than six decades, the Freer Occasional Papers Series has provided a forum for peer-reviewed scholarly works on a wide range of topics in Asian, ancient Near Eastern, Islamic, and American art. The format of the Occasional Papers varies according to subject and ranges from monographs, conference proceedings, and multi-author treatments of a theme. Occasional Tables. Showing 49–66 of 66 results Vintage Salvage Sloane End Table $ 1,019.00. W-24.01 x d-28.01 x h-24.01. Vintage Salvage Drew End. OccasionalArt 3 points 4 points 5 points 8 months ago. I recently started my first ever campaign of D&D with a group of friends, I've always loved archers in media and have trained in it myself, so ranger seemed like a class I'd like. So I made the character Lucius Bloodhorn, the tiefling ranger.

In March 2004, in collaboration with the Center for Medicine, Humanities, and Law, the Townsend Center sponsored a week-long residency with Dutch physician and writer Bert Keizer. Dr. Keizer is particularly known for his book, Dancing with Mr. D., a personal account of his work with the terminally ill in an Amsterdam critical care facility.

Cannabis, Forgetting, and the Botany of Desire includes the proceedings of several events scheduled by the Townsend Center in celebration of Michael Pollan's residency as Avenali Lecturer for the 2002 Fall Semester. This Occasional Paper includes transcripts of the public lecture Pollan gave as well as the comments of a panel organized to explore the environmental impact of food production in general.

Art

Migrations: The Work of Sebastião Salgado was one of several events scheduled by the Townsend Center in celebration of Sebastião Salgado's residency as Avenali Lecturer for academic year 2001–2002. Planned to complement the Berkeley Art Museum exhibit, Salgado’s lecture—reproduced here in a slightly edited form—was followed the next day by a panel of commentators whose remarks are also included in this Occasional Paper.

Eva Hoffman considers the current preoccupation with memory—as opposed to its referents (history, experience)—and particularly with memory of the Holocaust. She proposes that the intense absorption with memory has largely emerged from the “second generation,” i.e., from those for whom the Holocaust (or other disturbing pasts) has been a crucially formative event, yet one that they themselves did not experience.

Seeing the Difference brings together the texts of a two-day institute on death and dying, aimed at facilitating an interdisciplinary conversation between artists, humanists, and medical practitioners. The project proceeds from a doubled sense of “difference”: a view of death as separation or “difference,” and an acknowledgement that the various disciplines also view death “differently,” developing languages that are too often particular to their own fields.

Occasional Art

Traditions of Conversion historicizes and texturizes Descartes’ conversion with a vibrant inquiry into early modern European conversion narratives. In the end, Grafton effectively troubles Descartes’ self-portrait as the embodiment of disembodied reason with an examination of Descartes’ autobiographical notes, which record that the foundations of his new philosophy lay not in reason but in a dream.